steel panther

 

 

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How do you write about one of the greatest bands some of the world is yet to hear!? What do you say in the biography that they haven't said before? Without further ado, we give you Steel Panther... in their own words ;)

 

Panthers are territorial animals, fiercely patrolling their stalking lands. The Sunset Strip, circa 1988, was ruled by one: a legendary band called Steel Panther. The Strip was the plangent heart of the nascent heavy metal scene, one that would soon conquer the music world, and rockers came from as far as New Jersey and the San Fernando Valley to see this band with a killer sound and habits to match.

 

Now, these once and future kings of heavy metal have emerged out of the mists of history and a cloud of hairspray to reclaim their rightful throne. Look out, because Steel Panther is again marking its territory.

 

Steel Panther’s fabled live shows were like a GED class from the school of rock. And other bands took note: Their raucous stage shows, outrageous style, seismic guitar riffs, catchy melodies, catchier afflictions and indiscriminate taste in trollops and intoxicants – what frontman Michael Starr, lead guitarist Satchel, bassist Lexxi Foxxx, and drummer Stix Zadinia laid down would all be copied, as sure as if the original had been left at a Kinko’s where so many apprentice rockers dream of quitting their day jobs.

 

“Most of the other bands were very jealous about all the chicks we were nailing,” says frontman Michael Starr, “and they were wondering how we were getting these great gigs. The bottom line is: We’re pioneers in what we’re doing. Poison totally ripped me off: I was the first guy to come out with blonde hair and tight pants and the bandannas and they got Vince Neil popping out with the bandannas – you know who we’re talking about.”

 

But before we get caught up in the heady excitement of those times, let’s look to when rock’s glory was yet to be fully reclaimed from the New Wave British bands sporting synthesizers, asymmetrical haircuts, sweaters and worse. It was in the thick of that noxious early–‘80s atmosphere that Steel Panther defiantly came to be.

 

They were high school pals, hanging out and getting high to stick it to the man. When in the course of being rebellious young men, Satchel, Michael Starr and Stix discovered Lexxi’s penchant for wearing his mother’s make up. To shock him out of his nascent transvestitism, the three school chum decided to burst out of his closet in full make up, a graphic depiction of the error of his ways. Then in a twist of fate, Michael Starr caught sight of the foursome in the mirror, recognizing at once that this look belonged on stage. A quick trip to the guitar store later, the band that would become Steel Panther was born.

 

But the band needed a name.

 

“I was with this chick watching Mutual of Omaha’s Wild Kingdom,” Michael Starr says, “and I saw this show on black panthers, and I thought wouldn’t that be a cool name for a band, so I went over to Satchel, and I said, ‘Satchel, how about we name our band Black Panther?’”

 

“And I said, how about Steel Black Panther,” Satchel replies, “only we take out the ‘Black.’”

 

 

Small early gigs led to big ones. Big chicks led to hotter ones. And before long the gigs got bigger and the chicks even hotter. Entire communities of hot chicks moved to LA. Steel Panther shows were like their Mecca. It was in this era, in which the dream that led to the 1959 invention of spandex was finally realized, that many of the band’s once and future classic songs developed, like the mission statement Eye of a Panther and the burning Asian Hooker.

 

By 1987, not even the record business’ most revered tastemakers could ignore the band that put the “strip” in Sunset Strip, and a fierce bidding was about to erupt. Every major label was involved. Competition to get into their big showcase gig so intense that entire A&R staffs were left in tatters; many label reps were reduced to returning to their college studies in hopes of eventually taking teaching positions in their hometowns.

 

But this is where the mystery of Steel Panther becomes mysterious: The band never showed for that big showcase. Rumors abounded as heavy metal’s finest minds pondered the whereabouts of the Steel Panther and the great “lost” album they were rumored to have recorded.

 

But what really happened is that when you rock hard and live hard, you can tear something else – the fabric of time.

 

“It’s so f***ing awesome,” Michael says, “we didn’t pay attention to the clock or anything. When you can have all the blow and the strippers you want, why would you want to stop that?”

 

“It was never easy to get the band together to get together to talk about songs and rehearse,” Satchel admits, “Because they were all mostly high in the ‘80s. And the ‘90s.” Band rivalries and tensions heightened, especially between Satchel and Michael Starr, ultimately resulting in a tighter bond between the two, and for Satchel, a criminal record.

 

Then, one day, Universal–Republic President Monte Lipman found a Steel Panther package on his desk. Only this time, it was a box with an album inside. Could it be? Had the legendary metal band actually recorded those songs that shook the LA Basin to its core? One play confirmed it was true: The Panther roars again.

 

Always innovators, they set upon making Mondays the night to rock in Hollywood. Mission accomplished: Their weekly show at the Key Club is considered the longest–running Monday night heavy metal show in the world, a record the band hopes the Guinness people will soon certify.

 

The club is packed to the rafters every week, drawing the Hollywood in–the–know and celebrities alike to bask in the band’s sui generis covers and stirring originals. On any given night, you can see the likes of Pink, Jessica Simpson, or Vince Vaughn onstage rocking with The Panther.

 

But the question remains, with the album at last ready, is the world ready for songs that herald the return of heavy metal’s hegemony over the rock scene, tracks like Stripper Girl, and Community Property?” It would appear to be so. After all, what this band does, give or take twenty years, is timeless.

 

“The music, the art form, for me hasn’t really changed,” Satchel says resolutely, “Heavy metal is all about looking killer, wearing bitching clothes and sex with really hot girls – not just really, really hot like she’s hot for the bus stop, or I’d–put–her–in–a–video hot, but the hottest girls you can have sex with. We live in Los Angeles, there are a lot of hot girls here, and we have sex with some of the hottest.”

 

The same bravado that created the legend of Steel Panther, that forged the template from which so many other heavy metal bands were stamped, still courses unalloyed through the veins of the band. From Michael Starrs’s golden vocal chords to Lexxi’s frosted tips, rocking out is simply in their DNA, samples of which are so often available to fans after the show.

 

Get ready. As Michael Starr says, “Now it’s time to let the cat out of the cage.”

 

 

Biography copied from official website

- because lets face it, we weren't going to be able to write a better one!

 

 

 

 

members

 

 

Vocals Michael Starr Metal Shop, Metal Skool, Danger Kitty, Atomic Punks, LA Guns
Bass Lexxi Foxxx Metal Shop, Metal Skool, Danger Kitty
Guitar Satchel Metal Shop, Metal Skool, Danger Kitty, Thornbirds, Electric Fence, War & Peace, Fight
Drums Stix Zadinia Metal Shop, Metal Skool, Danger Kitty, Thornbirds

 

 

 

 

 

 

 

 

 

 

photos

 

 

 

Venue: Academy, Sheffield

Date: 20 March 2010
Photographer: Mary Evans

     
 

Venue: Rock City, Nottingham

Date: 29 October 2009
Photographer: Mary Evans

     
 

Venue: Shepherds Bush Empire, London

Date: 16 September 2009
Photographer: Taya Uddin

     
 

Venue: Academy, Manchester

Date: 14 September 2009
Photographer: Mary Evans

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

reviews

 

 

 

LIVE

REVIEW

 

 

Date: 29 October 2009

Location: Rock City, Nottingham, UK

 

 

 

 

 

 

Steel Panther have made it. I know this because my 75 year old mother says so. She saw them in The Sun, with the headline 'Living on a Parody'. When The Sun uses Bon Jovi song titles to make piss-poor comical headlines up about you, you're in the big league. Even the Daily Mirror had a competition to win tickets to meet them and said "we've never met true rock Gods as mighty as Steel Panther."


Steel Panther were also in the big league during this week playing arenas with the legendary bearded ZZ Top, but thankfully managed to squeeze in a smaller headline gig for Download promoter Andy Copping at Nottingham Rock City, and even throw in an aftershow DJ set for good measure. Opening with the trademark Eyes of a Panther, the band are tight and well rehearsed, as ever almost fooling the crowd that this is a serious matter... until the comedy kicks in as they drag the theatrical and over the top ending out and take it in turns to jump off the drum riser.

 

As with previous Panther shows this year, there's a fair smattering of spandex clad guys wearing big 80s hair metal wigs along for some fun in the crowd, and plenty of scantily dressed girls. The show is littered with similar rock clichés... the looks, the sounds, the words. It's big hair, spandex, sex and drugs, and catchy sing-along riffs galore in Rock City tonight and the crowd lap it up. For once the Nottingham audience is animated and up for it, a nice change from their usual apathy, and they punch the air and roar along to all the catchy songs on the band's debut album, Feel the Steel, such as Asian Hooker, Fat Girl, Party All Day and Turn Out the Lights. It's no wonder the album has gone to #1 album in Guam and sold twelve copies. Classics, one and all.

 

None of the crowd can help but admire Michael Starr with his effortless vocal range and clichéd rock star poses. Hell, can this man sing and play the role of rock frontman. Promoter Andy Copping must have floated on air as Starr crooned a little made up ditty for him. Airhead bass player Foxxx was as careful as ever to ensure his hair and lip gloss was perfect all night, touching both up regulary in his hand held mirror, and his hair solo was one of the best of the tour. For those in the crowd watching carefully, an ongoing ridiculous battle between Satchel and Foxxx ensued throughout the night, with each changing the height of each other's microphone when they swapped sides of the stage. The arguments between Starr and Satchel get more intense and lengthier every show with Satchel berating his singer for being a fat version of David Lee Roth. Starr retaliated with "No dude, I like to think of myself as a thin version of Vince Neil!"


Guitarist Satchel wowed the crowd with his lengthy and utterly mesmerising over the top guitar solo (in which he also managed to play the drums simultaneously) as he belted out Metallica, Black Sabbath, Iron Maiden and the infamous Doe a Deer scales in true rock style to much hilarity. It's easy to forget in between the catchy choruses and stand up comedy that behind the parody lie four supremely talented rock musicians.

 

The band turn any mishap into an opportunity for humour. Feedback during one song saw them lambasting their onstage sound guy, and Starr's forgetting of his denim jacket saw him demanding his roadie go get it from the dressing room diva style so that he could introduce the final song, its title emblazened on the cut-off denim... Death to All But Metal. Rock City went ballistic to the anthemic hit single and the band went off to a standing ovation, and a throbbing Rock City was left begging for more.


Originally paying their bills by performing rock covers on LA's sunset strip, any Panther convert looks forward eagerly to the encore of the current live shows in anticipation of which two classic 80's covers this audience will be treated to (remember, the band still only have a dozen of their own songs, yet somehow manage to fill a two hour set with only one album). The crowd were shouting for Motley Crue, Journey, Skid Row... but the band chose to regale them with

Guns'n'Roses Mr Brownstone and then Whitesnake's Here I Go Again.


They then entertained the rammed Rock City with fifteen minutes of musical and comedy genius. Mid-song Starr decided to do the song reggae style, and they pulled it off utterly brilliantly, showing the bands versatility and musical talent yet again. He then started a comedy routine explaining how every band has ripped off Here I Go Again with the band playing comedy versions from the likes of Weezer, showing how the riff's the same and morphing the song always back into Here I Go Again. The piece de la resistance was demonstrating that even Led Zeppelin had stolen the riff from it. The band cleverly make sure every gig is different enough so that the jokes and songs don't get stale for those that have seen them before.

 

Steel Panther have brought heavy metal 80's style back with a vengeance. Not only is it musical nectar to my ears, they also give everyone a bloody good laugh as always. 110% pure professional entertainment. Absolutely not for the easily offended overly politically correct prudes in society. Which is why I love them so very stupidly much. Gig of the year!



by Lynn Wyeth

 

 

 

 

LIVE

REVIEW

 

Date: 16 September 2009

Location: Shepherds Bush Empire, London, UK

 

 

 

 

 

This gig sold out so fast, the tickets all went before they were on sale, seriously. The air was blue as I spoke to Ticketmaster when the entire Steel Panther UK tour sold out in under three minutes and I needed block bookings for my birthday bash in Birmingham. Thankfully we managed to secure tickets to the London show too and watched as it was upgraded twice to a sold out Shepherds Bush Empire. Everyone and their dog wanted to be at this gig; the entire London rock scene were out in force. Journos, DJs, Promoters, Labels and a lot of grown men dressed in bad hair metal wigs and spandex pants making the whole thing very funny right from the start. Having seen them a few days earlier I was still in pain from the muscles I pulled laughing. Would it be as funny this time? Answer: Yes. Shooting down all the doubters that think they’re a parody band that will soon wear thin.

Despite the fact they look like they’re from an 80s time warp in spandex, headbands and long flowing locks as they enter the stage, if you didn’t know better during the first song you could be guilty of thinking this was a serious band. It’s immediately clear that they can play, sing and perform, as they launch into Eyes of a Panther, a very Van Halen-esque number. The synchronised jumping like Dave Lee Roth then kicks in and by the end of the song the place is falling around laughing as they go into a ridiculously long strung out rock ending, with them trying and failing several times to all jump off the drum riser at the same time.

And then the comedy begins in earnest. Let’s face it, they only have one album (they’ve been too busy with hot chicks to write more), so they need to fill big time. The banter and jokes start and the onstage squabbling ends with guitarist Satchel claiming to having f***ked singer Michael Starr’s mother. Cue bass player Lexxi Foxxx with the immortal line, “Hey Michael, you came out of your mom’s vagina, Satchel came in it”.

Ah, Lexxi Foxxx. The bass player that gets the fat chicks. Lexxi spends the entire show checking his hair and lip gloss in his hand mirror. The girls swoon.

The band go into the un-pc Asian Hooker, with its chopsticks sounding riff in the chorus, and then the equally offensive Fat Girl, singing lines like “I wanna prove you that my feelings are for real, so I’m gonna buy you a million Happy Meals”. When the whole crowd isn’t punching the air and singing along to the stupidly catchy chorus, they’re laughing and snorting at the daft and over the top lyrics. The comedy carries on during songs with Lexxi and Satchel fighting over mic stands and Starr pulling his back when doing some jumps at his age.

The rattle through Party All Day and the ballad Community Property, showing they’re just as talented at writing classic hair ballads… before having the whole place in hysterics with the killer line, “There ain't nothing that I wouldn't do, for you, my heart belongs to you, but my cock is community property .”

As well as the stand up comedy between songs, they also churn out a traditional section where each band member can be introduced and do their solo. And what a killer solo Satchel can do. He's a shit hot guitarist annd just when you thought it had all gone a little too amazing to be believed and your ear drums were going to burst with the high pitched widdly widdly, he brought it straight back round and Pantherised it by doing the most ridiculous frantic rock version of ‘Doe a Deer, a female Deer’!

The lovely Lexxi Foxxx stunned the crowd with a live hair solo. Words cannot begin to describe how moving it is to see this in the flesh, epically re-worked from the album version to succeed on stage in front of thousands of wide eyed fans looking on in awe as his locks flowed in the wind.


Girl from Oklahoma showed they’d done their homework as Starr explains girls from Oklahoma are like girls from Essex, and proceeds to sing about groupies; “What did you have to do for that backstage pass ‘cause I found a Poison laminate inside of your ass.”


They finished off the main set with the hit single, Death to All But Metal, with the whole venue singing along, and then the classic Turn Out the Lights, which is always my favourite. The line “Turn out the lights, before you suck my dick, someone beat you with an ugly stick“ is just never not funny.

Another plus point for Steel Panther is that they can cover just about any 80s rock song and do it perfectly, and you’re never quite sure what you get. Tonight London was treated to Van Halen’s Panama and Mötley Crüe’s Kickstart My Heart, complete with getting lots of ‘hot chicks’ up on stage to dance around with big grins on their faces.


The whole show was fun, pure entertainment from start to finish and performed by utterly accomplished musicians and top showmen, and a lot of sweaty spandex-clad rockers went home wiping the tears of laughter from their eyes but also secretly noting just what great musicians these guys are.

 


by Lynn Wyeth

 

 

 

 

CD: Feel the Steel

Released: 09 June 2009
Label: Island Records

 

 

 

 

 

 

 

 

 

 

As featured on www.steelpantherrocks.com

 

The story goes that Steel Panther were a legendary hair-metal band from the 80s, hanging on Sunset Strip; Feel the Steel being their long lost debut album. They were far too busy partying and laying girls to ever get round to making the album. Now they have finally finished the album, and The Panther have descended on the rock world in a flurry of groin-hugging spandex, big hair and leopard print, the likes of which even Poison have never seen before.

All the excesses of the 80s are parodied in minute detail, and the attention to detail is what makes it so perfect and almost believable. The opening track, Death to All But Metal, is the perfect hit single, a wonderful catchy sing-a-long track that mercilessly slates many contemporary artists today such as Mariah Carey (good call) and 50 Cent if they’re not deemed metal enough by the Panther. Community Property is a beautiful slower ballad, showing off Michael Starr’s amazing vocals well, romantically telling how much he loves his woman, but then amusingly revealing, just when you thought maybe they’d thrown a serious song at you, that when on tour his cock is community property.

Fat Girls and Turn Out the Lights will have most people chortling at their lyrics lampooning bigger boned girls in the world, but in between snorting with laughter you’ll be singing along with the catchy choruses and wo-ah wo-ahs. Try walking down the street with your iPod on listening to the lyrics to Turn Out the Lights without laughing out loud. 'Turn out the lights before you suck my dick, someone beat you with an ugly stick, I wanna **** you but you make me sick, so turn out the lights”. It’s beyond juvenile and into hysterically funny because it is so utterly un-pc, it’s beyond even remotely being ok. And they totally get away with it.

A special mention must go to bass player Lexxi Foxxx’s hair solo, which stands out on the album as a masterpiece that I predict now will never again be topped. Breathtakingly epic.

Are Steel Panther a one trick pony? Will the joke wear thin? Can spoof bands last the test of time? Seeing Spinal Tap with their inflatable Stonehenge at Glastonbury this weekend would say maybe so. And the beauty of the Panther is they are utterly fantastically shit hot musicians. Flawless vocals by Starr. Stunning shredding by Satchel. Song writing of the highest standard. Brilliant catchy classic hair metal tracks, one and all. They could probably write a hit album of epic proportions as a serious band… but it wouldn’t be nearly as much fun would it? For them, or for us.

To anyone who gives Steel Panther a bad review… sense of humour by-passes are irreversible, you really shouldn’t have had one.

I have felt the steel, and am incredibly jealous that they f***ed my mom in the 80s and not me. Guys, if you’re reading this, call me. We can turn off the lights.



by Lynn Wyeth

 

 

 

 

interviews

 

None at present

 

 

 

 

discography

 

 

CD: Feel the Steel

Released: 09 June 2009
Label: Island Records

 

Tracklist:

Death to All But Metal
Asian Hooker
Community Property
Eyes of a Panther
Fat Girl (Thar She Blows)
Eatin' Ain't Cheatin'
Party All Day (F*** All Night)
Turn Out the Lights
Stripper Girl
The Shocker
Girl From Oklahoma
Hell's on Fire

   

 

 

 

CD: Hole Patrol

Released: 2003 (as Metal Shop) / 2005 (as Metal Skool)

 

Tracklist:

Satan's Intro
Big Boobs

Is It Hot in Here (spoken word skit)
Hell's on Fire

Fat Girl (Thar She Blows)

Micheal Falls in Love (spoken word skit)
Stripper Girl

Ginger Pusses Out ("Lexxi Pusses Out" on the reissue) (spoken word skit)
Metal Shop (2003 Original track)
Cleveland Roxx (2005 Replacement track)

   

 

 

 

CD: Love Rocket

Released: 2001 demo (as Danger Kitty)

 

Tracklist:

Love Rocket

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

merchandise

 

You can purchase merchandse via the band's official website.

 

CDs can also be purchased at the usual outlets.

 

 

 

 

links

 

Official site

Official myspace

 

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